Kent Rasmussen's many variations on the horn shape are consistently outstanding. From his subdued panel and bean shapes, to this awe inspiring wave, each iteration could stand close to the center of most any collection. Given that Kent is a universally acknowledged master of defining edge and angle, his ability to imbue a given shape with a poignantly beautiful sense of fluidity is downright uncanny. Then again, uncanny and Kent can often be synonymous.
R. 'Bear' Graves