We haven't been carrying Chris Asteriou's work for but a short time, but he's already made a fantastic impression on us. Just look at this Liverpool! I'll admit I tend to think of this particular shape as the saddle-stemmed Lovat's chunkier brother, but Chris's interpretation is an almost painfully slender, beautifully feminine, and outright gorgeously graceful piece. And all the lines and proportions that go to work in defining its delicate loveliness are executed with a clean, perfectly seamless smoothness.
- Eric N. Squires