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Two-ten-thousandths of an inch

0.0002"x0.0000". Two-ten-thousandths of an inch. Those are the sort of tolerances that Alex Florov works with. While that is perhaps a large measurement in circuit board manufacturing, it is infinitesimally tiny by pipe standards. Alex is a model maker. He creates metal and plastic prototypes for industrial and commercial applications. Alex is also a pipe-maker. Clearly his long career as a designer and maker of models has influenced his pipe making.

I'm sitting in Alex Florov's workshop as I write this; it's the day after the Chicago pipe show and Ted and I are in Round Lake, IL visiting Alex and Vera Florov with Hiroyuki Tokutomi and our friend Tom Looker. The screams of briar being pressed against a sanding disk and the roar of a dust collection system fill the room. Six of us fit in here quite comfortably, with Alex Florov and Tokutomi both working, and the "piperazzi" (to quote Adam Davidson) snapping pictures and filming in the background.

Alex is one of the very few pipe-makers in the world with a milling machine. Though I've been in lots of pipe makers' workshops, I didn't recognize the thing at all - it sort of looked like a drill press to me at first. Well, one with a bunch of extra knobs and buttons. And a digital readout. Which displays measurements to the ten-thousandth of an inch (or one thousandth of a millimeter). This is not even a machine designed for woodworking. This is a machine designed to machine high-precision metal parts, large or small, for industrial applications. But, of course, it can be used for pipes too - and so Alex does.

Alex is a perfectionist. I knew this of my Russian-American pipe-making friend before I stepped foot in his workshop. I imagine that if one spends enough of one's life working with industrial models that require those sorts of tolerances, it will inevitably instill a certain perfectionism in one's pipe-making. With Alex it means that most pipe-makers' tools would not even be able to measure, let alone replicate, his drilling tolerances.

Tokutomi, in many respects, couldn't be more different. It's not that he doesn't measure when he works sometimes, but his attitude is much more that of the creative artist than the careful machinist. His background is as an artist. Alex's is that of a machinist and engineer. These two men, while they very much like each other and respect each other as pipe-makers, could not possibly be more different.

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