Savinelli: A History Of Making History

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Luisa Bozzetti, Production Director at Savinelli

1876 was a year of breakthroughs: Thomas Edison patented the mimeograph, Julius Wolff-Eastport canned sardines for the first time, Alexander Graham Bell made the first telephone call, Pyotr Ilyich Tchaikovsky completed Swan Lake, Melville Bissel patented the first carpet sweeper, Mark Twain published Tom Sawyer, and in Milan, Italy, Achille Savinelli opened one of the first shops exclusively focused on tobacco and smoking accessories.

That last item may seem relatively unimportant in the global scheme of advancements, but for those of us who love pipes, it was a monumental achievement, made even more difficult by the Italian government, which held a monopoly on tobacco. In addition, Achille was convinced that briar pipes represented the future of pipesmoking at a time when the market was dominated by clay and meerschaum. It may not have been obvious in 1876, but Achille Savinelli's commitment to briar pipes would prove to be visionary.

He soon began designing his own pipes (different from the styling we associate with Savinelli today) and arranged their manufacture by local pipemakers in the Varese district of north-west Italy. The pipes became so popular that some were exhibited at the 1881 Esposizione Industriale Italiana (Italian Industrial Exposition)—the precursor to today's Milan Fair, one of the largest trade fairs in the world.

Achille Sr. spent 14 years cultivating the company and building a strong customer base before passing the reins to his son, Carlo, who ran the store for the next 50 years. Carlo increased the store's exposure by building relationships with clients throughout Milan. He learned his customers and their tastes, and he adapted his service and promotional talents to meet their individual demands. Driven by Carlo's hospitality and the comfortable atmosphere he created, the Savinelli shop soon became the principal meeting place in Milan for pipe enthusiasts, where smokers could exchange opinions and discuss their own experiences—all with pipe in hand.

The store's success, however, kept Carlo and his wife occupied during business hours, leaving their son, Achille, to his own devices. Much like his father, and his grandfather before him, his "own devices," as it turns out, were pipes. As his parents tended to the needs of customers, Achille Jr. preferred to stay in the back of the family shop, tinkering with pipes—designing and inventing. It was here, in the back of the small Milan tobacconist, where Achille Jr. created the first true Savinelli pipe.

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Photographs of the Savinelli factory, courtesy of Savinelli's website.

As the Second World War began to move across Europe, however, Achille Jr.'s experimentation was cut short: he left his apprenticeship to serve five years of military service, and the experience provided him a new perspective on the role of Italy in the world marketplace. At the time the best-selling pipes in Italy were made abroad, despite the country's steadfast reputation for producing the finest quality briar. There were Italian pipemakers, make no mistake, but these workshops and factories seemed to focus on maintaining high production numbers rather than on the quality of the product. For this reason, neither retailers nor customers recognized Italy as a serious exporter of quality briar pipes. Returning from war, Achille Jr. understood that his father's small shop, though still the principal tobacconist in Milan, could never change this ironic precedent. He knew it would take more than sheer customer loyalty and rapport to shift the pipe making reputation of his country. It would take a superior product, with a unique aesthetic and the capability of withstanding high levels of production, without sacrificing quality, to shatter the mold. With this in mind, he decided not to return to his father's shop. He needed to make his own pipes.

With his two best friends, Amleto Pome and Mario Vettoruzzo, he assembled a team of fifteen employees to start a new business in the Varese region—the same area of north-west Italy in which his grandfather, Achille Sr., commissioned his own designs more than 60 years before.

Savinelli Pipes began production in 1948 and, although the pipes were of a superior quality and unique in their aesthetic, the brand wasn't an immediate success. Few new brands are. It takes time for the public to catch on. Retailers were skeptical of placing Italian pipes alongside their best sellers from England or France, and customers, in turn, were hesitant to purchase a Savinelli over pipes by already established, foreign brands. Achille Jr. stood by his product, however; he knew it was only a matter of time before the world realized that these pipes were of a far superior quality, capable of competing with even the most well-established pipe manufacturers in the world. He was right. In less than a year, Savinelli pipes had gained prestige in markets all across the world—heralded for their delicate balance of innovation and tradition, of form and function. Savinelli pipes were placed alongside the likes of Dunhill and Comoy's in tobacconists from the United States to Europe, and, in time, this exposure modified Italy's reputation; it was not only the premier exporter of briar, but now a premium source of fine briar pipes.

Achille Jr. continued to oversee the factory and cultivate the brand until he passed it down to his son, Giancarlo. As the current President of the company, Giancarlo has faced a grave challenge: keeping the marque relevant during a period of gradual pipesmoking decline. Pipesmoking may not be as ubiquitous today as in past generations, but Giancarlo has nevertheless energized the family business by, much like his grandfather Carlo, adapting his skills to meet the demands of the customer. By ushering in new lines and series to compete with modern trends, while still maintaining the same strict standards for quality control his father introduced, Giancarlo has preserved the Savinelli legacy—a tradition he will continue to guard until he hands it down, improved, to his son Achille.

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Blocks of briar in storage at the Savinelli factory

Savinelli Today

Today, Savinelli is likely the first name that comes to mind when you think of the serially produced Italian pipe. Achille Jr. established the brand and brought it to world recognition, but Giancarlo and his team have kept it in the spotlight. Savinelli's CEO, Sonia Rivolta, for example, has redefined the brand and helped to realize Giancarlo's modern vision by revamping and adapting the marketing to better compete in the digital age. Together with Luisa Bozzetti, the director of the Savinelli factory, they've implemented a number of modern practices improving quality control and overall production as well.

Savinelli's export manager, Luca Fontana, comments on these production practices:

The process is something you cannot learn from books or from the Internet. It is a philosophy of our brand, and the people who make it must have experience. It is something that is handed down from generation to generation. You must know the raw material very well.

From curing briar, to shaping, to mixing their all-natural stains, Savinelli conducts every step of production in house. Standard shapes are fraised on a machine—a technique shared by most other serially produced pipe manufacturers. What separates Savinelli from other marques is that the entire process, from sorting to staining, is conducted by artisans specialized in one very specific step of the pipe making process, thereby making them supremely skilled. One craftsman, for example, executes Savinelli's various rustications; another sits in front of a huge pile of briar blocks, sorting them based on which individual shapes and series they're best suited for. Another fits stems to stummels. This isn't a large team either, numbering just thirty people. Taking all that into consideration, Savinelli could readily be considered more of a workshop than an actual factory; as Luca suggested, each member of the team is a craftsman and must have a natural affinity for the work and know the materials well.

Having such a small team of skilled artisans also yields tangible control over quality control with each individual craftsman responsible for checking not only his own work but that of the artisans who worked on the piece before him.

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Sorted Autograph bowls

The process begins with sorting, which is conducted in two distinct stages. In the first stage, an artisan sorts through a massive pile of briar blocks according to grain and flaws, finding everything from complete scrap to pristine gems destined to become Punto Oros or Giubileos. He inspects each block individually, washing it with a mix of water and alcohol under specific lights to unearth flaws, as well as observe the quality of the grain. Carefully examining each of the blocks, the craftsman places them in buckets, organized and tiered based on which shape they will take, and what finish they will wear.

The second sorting process occurs once a block is drilled and turned. Again an artisan washes the block (now a stummel) and inspects it for flaws and grain quality, only this time to further determine the grade within that series—such as the Giubileo d'Oro ***, for example. Though sorting the briar only twice, the Savinelli team conducts a similar inspection in a water and alcohol solution multiple times before beginning the staining process, as a block can present changes after any stage. After completing all the drilling, shaping, and staining, the team checks the finished pipe one last time to ensure that nothing leaves the factory without meeting the marque's required standards.

This meticulous quality control process is but an example of some of the advancements Sonia Rivolta and Luisa Bozzetti have implemented in recent years, but it's important to note that the pipes themselves are produced much the same way as they were when Achille Jr. first started the company. To demonstrate just how little has changed, Luisa shares a few words on production:

The pipes are still made the same way that they have been from the beginning. The machinery has not changed. What has changed is the hands of the makers; they have honed their skills and talents. The demand for certain lines has also changed. The highest quality lines were once more in demand due to extreme rarity, and now that we have more high-quality briar, the spectrum of demand has shifted slightly. There is also a lot more attention placed on safety. Certain techniques have also changed, such as our sandblasting, which has moved from actual sand to a crystalline medium. This produces a better result, and as you grow, you must be flexible in changing these types of processes.

Giancarlo's supervision has brought the marque to even greater heights, improving upon and supplementing those processes his father first set in place so that, even years from now, the Savinelli name will be displayed in tobacconists around the globe.

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Savinelli team hard at work on the factory floor


Savinelli's aesthetic is unique. When Achille Jr. first started the company, the best-selling pipes in Italy were made abroad, mostly in England and France. Rather than trying to generate an entirely new style, he capitalized on this trend by following a classical approach to shaping similar to the English style, only tweaking the proportions slightly to produce designs that at once could both satisfy customers looking for classical shapes and be readily recognizable as a Savinelli. As such, a number of designs within Savinelli's lineup hold closer to this tradition than others. The 207 straight Apple and the 106 straight Billiard both feature classical lines and shank and stem proportions, with just a touch of extra visual weight lent to the bowl. The 315 Prince, likewise, captures the form's timeless silhouette with its rounded bowl and slender, elongated shank and stem configuration. Even some of the marque's stouter designs, like the 616 bent Billiard, show some distinctly classical cues, nodding to those tight-knit, chubby, early 20th century English pipes—only scaled up in a much larger design.

There are certain exceptions to this classical theme, however. The 320 KS Author, for instance, is one of Savinelli's most popular and iconic designs, yet it does not follow this English-influenced theme; instead, it takes a more Italian neo-classical approach, placing a heavy emphasis on the visual weight of the bowl itself. Savinelli's signature Cobra-like shank designs offer another exception. The 677 KS bent Billiard, the 123 bent Pot, and the 673 Bulldog/Rhodesian all feature the same type of semi-paneled, semi-rounded, triangular shank. By keeping the shank rounded along the underside, the eye is able to follow a smooth, continuous curve from the heel all the way to the end of the stem, which complements the often fuller proportions lent to the bowl itself. This juxtaposition of smooth, lithe line and full bowl isn't unique to these Cobra-shanked variations, however; this theme is actually one of the most iconic characteristics of Savinelli's aesthetic—found across the board, from standard sized designs to extra-large EX designated pieces.

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Savinelli artisan Massimo holding up the phenomenal Autograph Fan he created

Handmade Pipes:

While serially produced pipes account for around 98% of its annual production, Savinelli also creates a number of artisanal, handmade pieces. The Autographs, Briar Lines, Linea Artisans, and Milanos are all the result of Savinelli's unique handmade process.

All of the briar for Savinelli's Autographs and other freehand pipes is sourced specifically for those pieces. While the majority of the company's serial production is made from extra grade ebauchon blocks, Savinelli keeps a separate supply of Extra Extra plateau blocks for Freehands. This variety of briar is much larger, and of a higher quality, which explains why so many Autographs and Savinelli handmades are naturally larger designs.

These handmade pieces are shaped much like traditional Danish Freehands: performing all the shaping first and drilling second. Using this method, Savinelli's artisans are able to showcase their own creativity, as it maximizes flexibility and facilitates a more grain-centric approach to shaping. The resulting Freehand designs are both a departure from the marque's classical standard shapes, yet very much still "Savinelli" in their nature—i.e. proportioned so that the bowl is the visual focus when viewed from the profile, juxtaposed by the comparatively trim lines of the shank and stem. To provide a little more insight into the differences between Savinelli's standard production and freehand lines, Luisa Bozzetti comments:

When we choose to make Freehand pipes, we must stop production on the standard shapes. The process for Freehands is much more involved and takes much more time. Finding the best people from the production line and pulling them to make Freehands is challenging since it's not an assembly line, but rather a one- or two-man operation.

After the rough shaping of the stummel, we must get together and brainstorm which style of stem will be paired before the pipe can be finished since we do not use pre-shaped stems. All accents and stems for the Freehands are cut from rod here in the factory. A lot of care goes into the few pieces lucky enough to make the cut; to end up with a certain number of Autographs, for instance, means that many, many more will be made, and only a few will be selected.

The quality control process for Savinelli handmades is even more rigorous than that employed in the standard lineup. Many blocks are started and later discarded because of pits or defects. While Savinelli's briar sourcing is a constant process, working with some of Italy's top cutters to ensure only the finest and most suitable blocks make their way to the factory, it's impossible to source plateau briar that's completely free from flaws. That's just nature. Savinelli creates the standard for quality by working through the rough (a very high-quality rough, mind you) to find that shining diamond with the potential to become a Savinelli handmade.

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Unfinished Savinelli Handmade amidst standard production classics


    • Gianluigi on September 27, 2019
    • Grazie Chuck

    • Gene Bowker on September 29, 2019
    • Great history and look behind the scenes of one of the icons of the pipe world.

    • Andy on September 29, 2019
    • Awsome articles. Thank you. My favourite pipes are built by Julius Vesz in Toronto Canada

    • Andy Rochon on September 29, 2019
    • My favourite pipes are built by Julius Vesz in Toronto Canada

    • Joe on September 29, 2019
    • This is a great piece of work. Thanks!

    • Larry Severson on September 29, 2019
    • The best review I have seen. Would love to also find a detailed history of Dr Graybow pipes....

    • Linwood on September 29, 2019
    • Being an English pipe nut (with a few Italian and Irish thrown in) - I've always known that the Savinelli pipes are in the background. This article has brought them to light - and my typical conservative shapes are right there staring me in the face. Uh-oh, now I have a list of them.....and they're damn fine looking to boot!

    • Bill Meyer on September 30, 2019
    • Hey Chuck,
      Don't forget 1876 was also the year George Custer made a slight error in judgement at the Little Big Horn.

    • Stan on October 2, 2019
    • Have many American, Danish and Italian but bought my first Savinelli last year (a 320 KS Author) and was not disappointed.

    • Carlos Wells on October 2, 2019
    • Very nice Article. I have been a Fan of Savinelli for many years and appreciate the peek behind the Curtain. Thank you.

    • mark goodrich on October 4, 2019
    • Savinelli Autograph pipes are my favorite. I have 17 in my collection. They are first class pipes with first class workmanship. Along with classic designs. I've never smoked a bad one.

    • Dan H. on October 6, 2019
    • The first briar pipe I ever bought was a Savinelli Unfinished Lumberman (802KS?). It is still my favorite pipe to smoke. I do wish they made more unfiltered pipes, though.

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